Saturday, September 26, 2009

Annie Hall

Origin: U.S. (Rollins-Joffe) 1977
Length: 93 minutes
Format: Color
Director:
Woody Allen
Producer: Charles H. Joffe, Jack Rollins
Screenplay: Woody Allen, Marshall Brickman
Photography: Gordon Willis
Cast: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane, Paul Simon, Shelley Duvall, Janet Margolin, Colleen Dewhurst, Christopher Walken, Donald Symington, Helen Ludlam, Mordecal Lawner, Joan Neuman, Jonathan Munk, Ruth Volner
Oscars: Charles H. Joffe(best picture), Woody Allen(director), Woody Allen, Markshall Brickman(screenplay), Diane Keaton(actress)
Oscar nominations: Woody Allen(actor)
Links: Annie Hall Trailer, Annie Hall Wiki

The most celebrated film of 1977 was originally designed as a modern take on the sophisticated 1930s comedies of Spencer Tracy and Kathryn Hepburn. Then Woody Allen and his cowriter Marshall Brickman instead embarked on a comedy set in Allen's mind, with flashbacks to the main male character's previous marriages and childhood crushes, and the addition of a murder mystery. Shortened and reshaped by editor Ralph Rosenbaum, alterations to the film included cuts to the opening monologue and the removal of scenes featuring a 13-year-old Brooke Shields. It was this streamlined version, now focused on the romance between Alvy, a neurotic, over-sexed comedian (played, inevitably, by Allen) and the eponymous Annie Hall(Diane Keaton, a one-time lover of Allen's), that captured the filmmaker's original intention - a modern screwball comedy colored with doubt, indecision, and not a little pop psychology.

Friday, September 25, 2009

Check us out on gc4

Well, obviously Matt and I had very differing opinions on the most recent movie we watched, Brazil. I have a feeling we will be battling it sometime on the podcast that we co-host called gc4. You can get it on iTunes or head on over to our blog.

- John Murphy

Brazil (Matt)

This is a movie that I very much wanted to enjoy. All the cool kids love this movie, and I want to be a cool kid badly, oh yes I do. Sadly, however, it just isn't meant to be. I tried to like this move from every angle, and while there definitely are some aspects of it to like, overall it fell short of the glory it seems to have achieved from its viewing public.

Lets start with what I liked. I LOVED the world that the movie takes place in. It was dull and filled to the brim with greys, blacks, and whites. Just watching the sets will put you into a mood of claustrophobia and paranoia. There are ducts exposed in every public place, and this just adds to the sense of crowding that prevails throughout the movie.

I also enjoyed the sequences that took part I am assuming in the dreams of the main character. In these sequences he looks as though he is a warrior angel, and he is trying to rescue the love of his life from numerous obstacles such as a teleporting samurai or weird baby things that look like they came straight from The Dark Crystal. These always felt like a breath of fresh air when I saw them, and I was grateful every time that one appeared.

The acting I was not a fan of. I don't think this is the fault of the actors themselves as I am sure they were asked to portray these exaggerated personalities, and to their credit they did it quite well. I can see why the actors did this but all that it did was put me off of the movie. Every character save one (Robert De Niro playing Mr. Tuttle) grated on my nerves. The characters acted in ways that I did not understand, and as a result of this I was unable to relate to any of them. I spent the majority of the film trying to get into the film or at least to care about the characters to no avail. The only characters I really enjoyed were the angel manifestation of the main character and Mr. Tuttle.

I had a hard time following the story as well. I was able to understand the main plot but there were times where I got completely lost. I didn't understand what was happening, and when I did I did not understand why the characters where motivated to do what they were doing. A classic example of this occurs near the end of the film. The main character, Sam Lowry, is running away from a group of pursuers and stumbles into a funeral. He opens the casket and jumps inside it, causing him to fall into darkness for a while. The scene fades to black and then opens up again to him running outside in an alleyway. I for the life of me can't figure out why, when he was being chased, he would:

1) run into a funeral.
2) pull open the coffin
3) jump into the coffin

It just did not make sense. Later this is somewhat explained, but at the time it was so off-putting to me that it took me out of the film. My confusion caused me to completely lose interest several times in the movie and were I not watching it for this blog's sake, i would have likely turned it off.

In short, while this movie has a few redeeming qualities, I am not a fan. 3 botched plastic surgeries out of 10.

Thursday, September 24, 2009

Brazil(John)

This movie floored me. Terry Gilliam is one of the most unique directors of the past 20 years. In this movie, he creates this industrial, materialistic world that could only come from his imagination. However, this movie is quite odd, so I can see where it will not be everyone's "cup of tea".

The acting was amazing. Each character had their own goals and played their parts expertly. Sam Lowry was this man who longed for a place that was not the world he lived in. His friend Jack is a seemingly nice man, who has a very dirty job, but treats it like any other normal job. Archibald Tuttle is this masked hero, who is attempting to bring down the current society. I also thoroughly enjoyed the scenes between Sam Lowry and the M.O.I repairmen. The scenes were this little insignificant piece of the film that was humorous and fit completely within the world. "I'm particular about paperwork".

The world of Brazil, as I mentioned, was awesome. This is a place where ducts are in style. Small computer monitors are common, but in order to see them, a huge mirror has to be placed in front of them. The majority of people relish things and want to have more and more things. Plastic surgery is a norm and terrorist attacks are not uncommon. I think the setting was my favorite part of the movie. It pulled me in and I couldn't wait to see the next scene. I also loved the mixture of 40s era things and more high tech gadgets.

The music was very good. I will have the little ditty that plays through the movie stuck in my head for days. The action scenes had bombastic scores while the more subdued scenes had a bit of a noir feel to them.

I would recommend this movie to any Terry Gilliam fan. Although, if you haven't seen this film, you probably aren't a Terry Gilliam fan. Some people are not going to like it, but this movie was right down my alley. Amazing set pieces, wonderful music and excellent acting. What more can you ask for?

I give it a 9.8 out of 10.

- John Murphy

Friday, September 11, 2009

Brazil

Origin: G.B. (Embassy, Universal) 1985
Length: 131 minutes
Format: Technicolor
Director:
Terry Gilliam
Producer: Arnon Milchan
Screenplay: Terry Gilliam, Charles McKeown, Tom Stoppard
Photography: Roger Pratt
Music: Michael Kamen
Cast: Jonathon Pryce, Robert De Niro, Katherine Helmond, Ian Holm, Bob Hoskins, Michael Palin, Ian Richardson, Peter Vaughan, Kim Greist, Jim Broadbent, Barbara Hicks, Charles McKeown, Derrick O'Connor, Kathryn Pogson, Bryan Pringle
Oscar nomination: Terry Gilliam, Tom Stoppard, Charles McKeown(screenplay), Norman Garwood, Maggie Gray(art direction)
Links: Brazil Trailer, Brazil Wiki


The well-known history of bad feeling between Brazil creator Terry Gilliam and distributor Universal, in which the filmmaker resisted the studio's attempts to put out a severely truncated cut and eventually prevailed in getting his challenging picture released in the United States, has tended to soak up all the interest in this movie, which has its own unique strengths(and weaknesses) quite apart from any status it might retain as a near-political cause. Made significantly in 1984, and in parallel with the Michael Radford film of George Orwell's eponymous novel, Brazil is set "somewhere in the twentieth century," in an imaginary but credible oppressive state that combines the worst features of 1940s British bureaucracy, 1950s American paranoia, Stalinist or fascist totalitarianism, and the ills of the 1980s(e.g., and obsession with plastic surgery). Whereas Orwell's Air Strip One is built on an impossibly and horribly effective system of state surveillance, the worst aspect of Gilliam's invented dystopia is that it doesn't even work: The plot is kicked off by a farcical mistake as a squashed bug falls into a printer so that an arrest warrant intended for terrorist heating engineer Tuttle(Robert De Niro) is applied to an innocent Mr. Buttle(Brian Miller), and the grimly utilitarian city is falling apart even without the possibly state-sponsored terrorist bombs that periodically wreak appalling carnage.

Forbidden Planet - Matt

This past weekend I had the privilege of traveling with three of my friends (one being the other author of this movie blog) to Atlanta, Georgia where I attended a rapidly growing sci-fi/comic convention called Dragoncon. This was my third consecutive year to attend the con and I swear it somehow manages to get better every year.

I mention this because on the second day of the convention the American Science Fiction track had a movie night that was free to all attendees, and as you might have guessed by now, the movie they were showing was Forbidden Planet.

It was with quite a bit of anticipation that I entered the classroom where they were going to screen the movie. It's not every day that one gets to watch a classic sci-fi movie surrounded by fans of that very genre. The screen, sadly, wasn't very large and it was projected onto the screen with a sub-par projector, but that wasn't too big of a problem as we sat on the front row. I wanted to mention this so that you understand the environment that I watched this movie in, just in case it contributed to my views of the film. We have to be fair to the movie after all, and I don't want to mislead you dear readers.

I thought this movie was wonderful. It is the first time that I have seen Leslie Nielsen act at a younger age, and I thought he did a fine job of it. He played Captain J.J. Adams with authority and concern for his men. It was interesting to see him try to protect Altaira from his crew members, and these were some of my favorite moments in the movie. He commanded a natural respect from his men, and he did it in a way that the authority seemed to come straight from his character, it didn't seem forced at all.

Altaira, Anne Francis, was every bit as good as Leslie Nielsen. She really brought her character to life and I believe that without her performance the movie would not be nearly as good as it was. It was fun to watch this naive girl interacting with people other than her father for the first time in her life. She did not know how to behave and I thought that Anne Francis showed this in her character perfectly.

I also want to comment on Robby the Robot, who is actually billed as an actor in the beginning credits of the movie. What a neat concept for a robot. This robot was able to chemically analyze a sample of any material you provided him with, and then using a mixture of chemicals that he stored in his body, could recreate the material at will. I don't think I've ever heard of something like that, even in science fiction, and I loved it. It was interesting to see a true robot in the sense that it was void of much personality interact with the crew who, like me, had never seen anything like it before.

The sets in this movie were very well done. They were able to portray an alien world without going over the top. The spaceship looked both futuristic and believable at the same time, likewise with the Morbius homestead on the planet. I found myself through much of the movie just looking at the devices and inventions in the sets and wondering what they did or what purpose they served.

I do have one negative thing to say about the film. The sound effects, especially in the first 10 minutes of so of the movie, were loud and irritating. One scene in particular when the spaceship enters hyperspace really drove my hands to my ears. I could have done without that.

I could cover other parts of this film that are wonderful, but I've already written more than I originally meant to. The story was original and interesting, the acting was great, the sets were nice, the special effects in the film I feel hold up very well also. This movie was a treat to watch and I liked it quite a bit more than I thought that I would. I'll give it 9 robot made diamond dresses out of 10.

Tuesday, September 8, 2009

Forbidden Planet(John)

We saw this movie at Dragoncon, on a small projector screen with a room of about 30 - 40 people. The quality wasn't that great, but since the film was made in the 1950s I don't think it was a huge problem. I enjoyed the film and I was surprised at how well it holds up after almost 60 years.

The acting was good. It was weird seeing Leslie Nielson play a non-comedic role but he did a good job nonetheless. He played the hard nosed captain well. Anne Francis was very seductive in the movie, wearing short mini-skirts throughout most of the film. Another mention has to be Robby The Robot. Robby was an excellent cast member, injecting a little humor into the film as well as selling the sci-fi theme of the movie even more. The supporting cast didn't really have anything to do other than guard the ship and die horrible deaths. Also, when they were fighting the id monster, they were shooting their guns and standing completely still, with almost no emotion.

The special effects were probably outstanding for their time, which is why it was nominated for an Oscar. And to be honest, they didn't really seem all that outdated. Obviously the id monster was hand drawn animation. But the sets looked futuristic and it was not hard to feel like I was on Altair with the crew.

This was a pretty good film. There was really no campy-ness to the film whatsoever, which I think is rare in older films of this genre. The acting was all around good and the special effects and set design hold up.

I give it an 8.5 out of 10.

-John Murphy

Forbidden Planet

Origin: U.S (MGM) 1956
Length: 98 minutes
Format: Eastmancolor
Director:
Fred M. Wilcox
Producer: Nicholas Nayfack
Screenplay: Irving Block, Allen Adler, Cyril Hume
Photography: George J. Folsey
Music: Bebe Barron, Louis Barron
Cast: Walter Pidgeon, Anne Francis, Leslie Nielson, Robby the Robot, Warren Stevens, Jack Kelly, Richard Anderson, Earl Holliman, George Wallace, Robert Dix, Jimmy Thompson, James Drury, Harry Harvey Jr., Roger McGee, Peter Miller
Oscar nomination: A. Arnold Gillespie, Irving G. Reis, Wesley C. Miller(special effects)
Links: Forbidden Planet Trailer, Forbidden Planet Wiki

This superior 1950s sci-fi gem by director Fred M. Wilcox, ambitiously shot in widescreen CinemaScope, owes nothing to the period's paranoid McCarthyite preoccupation with hostile invaders from outer space but a great deal to the plot of William Shakespeare's The Tempest and the sophisticated psychological premise that the most dangerous monsters are those lurking in the primitive impulses of the subconscious mind.

Tuesday, September 1, 2009

Hiatus

To all of our blog followers, we apologize for the lack of movie reviews lately(vacations, buying houses, etc...) but we promise we'll be back to form in a couple of weeks. We will actually be viewing a public showing of Forbidden Planet at a convention in Atlanta,GA called DragonCon, so that will be up soon.

I thought this would be a good time to summarize the movies that we've watched from the list and give a rundown of the scores we gave. The scores are out of 10.

Le Voyage Dans La Lune(A Trip To The Moon)
Matt: 7.0
John: 6.5

Papillon
Matt: 8
John: 8

Freaks
Matt: 7.0
John: 6.5

The Wolf Man
Matt: 3.0
John: 4.0

Atonement
Matt: 8.0
John: 8.0

The Outlaw Josey Wales
Matt: 9.0
John: 9.5

Taxi Driver
Matt: 4.0
John: 8.5

Raging Bull
Matt: 7.0
John: 8.7

Jacob's Ladder
Matt: 8.5
John: 9.0

Schindler's List
Matt: 10.0
John: 10.0

Ghostbusters
Matt: 10.0
John: 10.0

The Maltese Falcon
Matt: 4.0
John: 7.0

The Texas Chainsaw Massacre
Matt: 8.0
John: 7.0

Mad Max
Matt: 8.0
John: 7.5

So far, we've reviewed 14 of the 1,001 movies on the list....only 987 more to go!